Cities of boredom – Mahmoud Elmardi

Analysis of “Cities of Boredom”

The painting “Cities of Boredom” by Sudanese artist and novelist Mahmoud Elmardi captures an evocative cityscape that embodies the complex emotions of urban life. Elmardi, born in Khartoum in the town of Bahri in 1988, brings a distinct style influenced by the cultural and social diversity of Sudan, drawing particular inspiration from his surroundings in the ancient town of Bahri. Her education, a BA in Painting from the College of Fine and Applied Arts, Sudan University of Science and Technology (2018), honed her artistic talents and allowed her to explore different media and themes.

In this work, Elmardi uses bright colors and abstract shapes to give the impression of overwhelming urban sprawl, perhaps reflecting the emotional and existential boredom often associated with city life. The bright yellow, almost surreal sky, juxtaposed with the dark, hazy earth tones of the urban structures below, suggests a contrast between the exterior brightness of the day and interior feelings of confinement or monotony. The textured, impasto application of the paint further adds to the work's sense of chaos and complexity, reflecting the layered experiences of urban existence.

The artist's background in screen printing and graphic design also influences his approach, as evidenced by the work's structured yet chaotic composition. The influence of his experience in the dental industry as a dental technician, although less direct, may be related to his meticulous attention to detail and structural integrity in his artistic practice.

Throughout his work, including his acclaimed novels like "Secret of the Chaise" and "The Lost in the Mango Orchard," Mahmoud Elmardi often explores themes of identity, place and the dichotomy between expectations personal and those of society. These themes are echoed in “Cities of Boredom,” where architectural elements can symbolize not only physical spaces, but also psychological and emotional states.
The painting, which was chosen as the cover of the novel “Cities of Boredom” by Palestinian novelist Nader Manhal, aligns with the exploration of the mundane and stuffy aspects of urban life. The artwork's ability to capture and convey such varied meanings is a testament to Elmardi's talent as a visual and literary artist, merging his storytelling abilities across the various mediums.

Mr. Elmardi's recognition, notably with the Katara Prize in 2022, highlights his contribution to the contemporary art scene, particularly in representing the unique perspectives of Sudanese culture. His work, both in painting and literature, serves as a bridge between traditional influences and modern, abstract expression, making his voice an important one in the history of world art.